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The Bird Album Live on KCRW

by The Silos

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1.
Caroline 02:48
CAROLINE Copyright 1990 Walter Salas-Humara and Robert Rupersburg Published 1990 Voltone Music (BMI) Caroline, days and weeks and nights Put a candle in the window Write a letter once a week All of my friends All the days of the year All the countries at the other end of this earth Caroline, days and weeks and nights All the time I saw you arrive I went outside I realised You don't see how hard I try How long Caroline? The highway to the airport And the nearer I drew The louder your voice The cold night air And the clearer the door into your room Caroline, days and weeks and nights
2.
PICTURE OF HELEN Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) I opened up that old book Photographs took me back To your room To your room Pale green eyes Strong and kind I looked at a picture of Helen I woke up in your room Photographs took me back To your room To your room Repeat Chorus I heard it in your voice In a place so close Repeat Chorus
3.
COMMODORE PETER Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) He's got himself a long green boat He's got himself a nice size outboard Swinging back and forth He left the door unlocked the night before Commodore Peter wants to know Where are you going? Can I take you home Or to the market or to church Or to a restaurant or a nightclub in St. Georges? He gave up all he knew for the help of other folks Skims across the water Back and forth, back and forth From Grand Anse beach to the village of St Georges Commodore Peter wants to know Chorus He knows, he's seen the writing on the wall No justice at all Commodore Peter took a guest into his house The one he trusted above the rest And there is no doubt and there is no fault He left the door unlocked Commodore Peter wants to know Chorus
4.
ANYWAY YOU CHOOSE ME Copyright 1990 Walter Salas-Humara and Robert Rupersburg Published 1990 Voltone Music (BMI) Sometimes, sometimes I think aloud all night Everytime, everytime I come home without you Across the ocean and Into the wood Four or five in the middle or Anyway you choose me Somebody, somebody came into my mind from somewhere But nobody, nobody but nobody can take your place in this life Repeat Chorus Ours and theirs together A hundred years outside ourselves Take it all apart Somebody came into my mind from somewhere Cause noboby, nobody is looking over our shoulders Repeat Chorus
5.
I'm Over You 04:48
I'M OVER YOU Copyright 1990 Walter Salas-Humara and Robert Ray Published 1990 University of France Music (BMI) and Voltone Music (BMI) The stars are shining brighter than the night that I remember My thoughts are like a river Reflecting in all directions I'm gonna phone her, but not today I'm gonna write her, but not today Today I'm gonna be Driving down Highway 441 with the windows down A beer in one hand, the radio blasting My old needs I won't recognize I'm Over You Hold on to the evening, hold on to the morn All night long, sunshine hiding underneath and I'm gonna phone her, but not today I'm gonna write her, but not today Today I'm gonna be Driving down Highway 441 with the windows down A beer in one hand, the radio blasting My old needs I won't recognize I'm Over You Miles of country road rise, rise away The cars are by the river Clouds are in the coffee-shops around here Driving down Highway 441 with the windows down A beer in one hand, the radio blasting My old needs I won't recognize I'm Over You I'm Over You I'm Over You I'm Over You
6.
TAKE MY COUNTRY BACK Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) I'm on my way On my way to find you I'm on my way to make you see what's plain is plain I'm out there on the ground Marching to corner you I don't know why you are blind to your wrongs I don't know why you pretend to be so strong But I'm marching on to corner you I'm coming home Coming home to find you I won't let you drag your secrets after you or shake your head I've come to take my country back Because she loves me She loves me She loves me dearly I'm on my way On my way to find you I'm on my way to make you see what's plain is plain I'm out there on the ground Marching to corner you Marching to corner you
7.
(WE'LL GO) OUT OF TOWN Copyright 1990 Robert Rupersburg Published 1990 Voltone Music (BMI) She said she'd been thinking alot And hadn't found anything she wanted to do It was one of the first times since leaving home I remember telling you about a girl coming round We'll go out of town Maybe down South And if we're lucky, the Southwest We won't have to work Well, not very hard And anyway, we'll have a good time Yeah, we'll have a good time Don't worry about it You know the back way is always open I remember you telling me about a girl that you used to hang around with You know I never did really believe it too much Chorus You know I never did really believe it too much Chorus
8.
DON'T TALK THAT WAY Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) Going down to the bottom Don't give me that worthless glance Give me your mouth Give me your bad, bad mouth (Don't talk that way) Don't talk to me about my baby (Don't talk that way) Don't talk to me about my baby She said she couldn't breathe When them little fingers began to move Teeth clenched in her lips in a spasm of horror Them little fingers, wrinkled as prunes Repeat Chorus Going down to the bottom He got on the nigh pole You get in there in the middle Pete and do it for us You clap three times and we go, go, go Repeat Chorus
9.
THE ONLY STORY I TELL Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) You should know I sing about you only And for each song there's a feeling, there's a time You should know You're my one and only I love you truly You're the only story I tell When we go To work in the morning each weekday And sometimes When we work on the weekends too We keep Each other in our hearts all day long And when we get home That feeling in our hearts overflows You should know You're my one and only I love you truly You're the only story I tell I love you truly
10.
Porque No 03:25
PORQUE NO Copyright 1990 Walter Salas-Humara Published 1990 Voltone Music (BMI) Fuimos a la Florida A la boda de mi prima Y en camino a la recepcion Montado en mi camion Mi querida me dijo Estoy cansada De desirle a otros Que tu eres mi boyfriend Porque en mi corason Tu eres mi marido Porque no, Porque no, Porque no Porque no nos Porque no nos casamos Ese dia Y esa noche Y todos los anos De nuestra vida Hay que dar lo mejor Y grandes cantidades de amor A tu familia Porque no, Porque no, porque no Porque no nos Porque no nos casamos
11.
HERE'S TO YOU Copyright 1990 Walter Salas-Humara and Robert Rupersburg Published 1990 Voltone Music (BMI) I got a call this morning It went on and on It said it's alright, it's OK But I saw a pair of eyes Said you can't fix up becoming Be cunning I said, "Here's To You" We're driving in our car Looking at those big hotels running west from downtown to the ocean We got our canvas top down Enjoying every minute Every minute Our house is the only house I know Our house is only just so far Our house can be here Here Here's to you Long stem roses Soft red and white She's a brave hopeful woman Her eyes are bright Her mind is clear I started to laugh She started to laugh We don't want to die alone Hold me, hold me down Hold me, hold me down Here's to you

about

On April 18, 1990, shortly after the release of their self-titled third album, The Silos performed about 75 minutes of music for the SNAP alternative music radio program. Broadcast on KCRW in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album, as well as selections from their earlier pair of records. Hosting the SNAP program is the legendary LA deejay Deirdre O'Donahue. The complete broadcast is presented here in digitally remastered sound.

credits

released April 18, 1990

Musicians: Walter Salas-Humara, Bob Rupe, Graham Maby, Brian Doherty, and Kenny Margolis.

Recorded at KCRW Radio Studio. Silos Live Engineer: Joe Chinnici

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The Silos New York, New York

The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt- Country, and Americana before any critics coined those terms. Salas-Humara’s narratives take on the weight of attentive, convincing poetry and wry wordplay. Each tune is marked by such humanity, which offers much refuge in a convulsive time. ... more

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